“Michael Jackson’s image was as much a work of art as the man himself. Through his music, dance, and fashion, he created a mystique that was unique to him and recognized as such throughout the world. Michael’s appeal was in his desire to send subtle messages through the manipulation of his voice, body and clothes. Costume and performance came together to become Michael Jackson. We likened Michael Jackson to a canvas. He wanted his clothes, like his music and dance moves, to be mind-boggling self-expression… a very real man with a deep love and appreciation for art, someone who very much embodied the dreams he inspired in others.”
"When he was singing and recording in the studio we'd leave him alone, but when the album was finished, all that creative energy would go into the music videos, the live shows and the performance, and then Michael would be very involved in what he wore, starting by sketching out his vision."
"His costumes had to perform onstage as well as he did. They had to be like his second skin – wearable art accentuating both his style of dancing and the beat of the music."
"Who doesn't love a man in a uniform? It was about that creating the sexual mystique. But Michael made it his own by pushing the envelope, rebelling against the establishment the uniform is supposed to represent with all those badges and making it rock & roll."
"Michael would come out of European museums inspired to wear the antique costumes that were up on exhibit. So he did."
"Michael was a man of many paradoxes, most of which we were able to represent in the clothes we designed: Rigid military cuts that were also elastic and moveable; rebellious regalia, fit for army commanders, worn over the heart of a gentle man; bedazzled embellishments adorning a man blessed with a quiet humility; one of a kind, handcrafted clothes worn with aged, scuffed Florsheim shoes."
Michael Lee Bush, King of Style: Dressing Michael Jackson
"MICHAEL WAS A VISIONARY IN EVERY SENSE OF THE WORD. HE WOULD LOOK AT IMAGES AND TELL US WHAT HE LIKED AND THEN HE WOULD TALK TO US ABOUT WHAT HIS MUSIC AND DANCE MEANT. FROM THERE WE WOULD TAKE THAT VISION AND DESIGN AROUND IT SO HE HAD THE COSTUMES HE NEEDED TO PERFORM AND MOVE IN BUT ALSO ONES THAT HELPED CREATE THAT VISION ON STAGE.!
"Why do only baseball players get to wear shin guards? I'm going to wear them."
"Everyone wears two gloves, I'll wear one and make them pay attention."
"My clothes should be as entertaining up on a hanger as they are on me."
Michael Jackson, according to his longtime costume designer Michael Lee Bush
“Michael was usually a 28-inch waist,but by the midpoint of the show,when he was ready to perform his magic act of choice,right before ‘Beat It,’ he’d already lost five pounds of water,and his waist dropped to 27 and a quarter.If we didn’t have clothes hanging on the rack in the right order that were getting progressively smaller,we’d risk him putting on a pair of pants that would fall to his ankles with each rhythmic move of his body.And there is no magic in that!”
Michael Lee Bush
Michael Jackson marching with soldiers from all around the world:
Michael Jackson History Teaser (Restored Version HDQ):
History Tour - They Don't Care About Us - Live Munich 1997- (Widescreen HD):
They Don't Care About Us - This Is It
Now Michael Jackson would love Norwegian Royal Guard:
"It makes me very sad that Michael Bush has decided to auction off MJ's iconic clothing. Both MLB and I know that it was MJ's wish to create a museum for these pieces. MJ spoke about this often to us. That is why MJ trusted MLB to hold on to these items."